![]() The key to the film is that for all its later eruptions of digital frenzy, it has worked hard to make you believe in the inner life of this world. From an opening shot that pans up the vertiginous slopes of a Brazilian favela, director Louis Leterrier is at pains to ground this most outlandish of fantasies in some sense of reality. ![]() ![]() After we’d put it through a wood chipper.īut it’s an ambiguous beast. Well, here’s what we didn’t expect: despite Norton’s hissy fit, The Incredible Hulk really isn’t that bad, and we say that as a magazine that could count the number of good comic book films on one hand. To be honest, at this point in his career, Norton is the last person who ought to be criticising anybody’s creative direction after a) The Painted Veil, and b) he took the freaking part of an all-CGI 10-ton comic book character in the first place. The film has taken a bit of a kicking already in the press with plenty of one-star reviews and Ed Norton refusing to do publicity because he’s in a strop about the creative direction that the franchise has taken. ![]()
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